Wednesday, 5 September 2012

Rollerball (Full Lenth Film)


(1975) An American dystopian fiction film directed by Norman Jewison from a screenplay by William Harrison, who adapted his own short story "Roller Ball Murder", which first appeared in 1973 in Esquire magazine.

In the film, the world of 2018 is a global corporate state, containing entities such as the Energy Corporation, a global energy monopoly based in Houston which deals with nominally-peer corporations controlling access to all transport, luxury, housing, communication, and food on a global basis.

The film's title is the name of a violent, globally popular sport around which the events of the film take place. It is similar to Roller Derby in that two teams clad in body armor skate on roller skates (some instead ride on motorcycles) around a banked, circular track. There, however, the similarity ends. The object of the game is to score points by the offensive team (the team in possession of the ball) throwing a softball-sized steel ball into the goal, which is a magnetic, cone-shaped area inset into the wall of the arena. The team without possession of the ball is defensive and acts to prevent scoring. It is a full-contact sport in which players have considerable leeway to attack opposing players in order to take or maintain possession of the ball and to score points (in the overpopulated world of the original short story, the object of the game is to kill off the other players). In addition, each team has three players who ride motorcycles to which teammates can latch on and be towed. The player in possession of the ball must hold it in plain view at all times.

Rollerball teams, named after the cities in which they are based, are owned by the various global corporations. Energy Corporation sponsors the Houston team. The game is a substitute for all current team sports and for warfare. While its ostensible purpose is entertainment, Mr. Bartholomew, a high-level executive of the Energy Corporation, describes it as a sport designed to show the futility of individual effort.

Among the filming locations used was the Rudi-Sedlmayer-Halle as arena, the then-new BMW Headquarters and Museum buildings in Munich, Germany, appearing as the headquarter buildings of Energy Corporation and at the Olympiapark, Munich.

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